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The Trade-Off
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I have been wondering about a lot of the same things...especially the first part regarding Thrust and a 2nd Low Point"....both in relation to the body (or R. Shoulder or the shoulder line or Axis Tilt or w/e)..... As you say, not in relation to the ground..... The thrust seems to end when the right arm straightens, regardless of actual Low Point (Left Shoulder). I'm thinking in relation to the body....taking into account Axis Tilt angle....shoulder line, etc. |
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HOWEVER I stand by my analysis that I did provide and by the statement that 'AT LEAST FOR ME" I find that lines applied certainly raise questions as to their application. Again, using your lines, it indicates to me a. The club head orbit is moving out to in (from Low Point to Impact Point). b. Right appears to be still moving down the plane. c. The clubhead could be very well moving upward at Impact, but the Applied Force is down IMO. Thus rendering the identification of Low Point of little use. (My understanding again is that after Low Point is reached the applied forces are no longer driving downward. Probably not the best worded, sorry) Now the Lines for the Triangle Assembly appear to illustrate correctly though without knowing the grip, can introduce a variable that could lead to the wrong conclusion IMO. I have seen so many lines drawn on pictures and statements made, yet they don't track between pictures at times. How many times do we actually get photos of golfers at Impact Fix so we can identify the alignments and locations, most of the time they are done at Adjusted Address which will bias the results at true impact for analysis purposes. Another case in point regarding lines, are those at the top and they identify the golfer having an arched (usually rare) or bent left writs. But yet we know that the grip can affect how it will appear at the top and what may appear to be flat is actually arched (that was how it was in may case and Yoda lifted the fog) or may appear bent (more often the case) and cause of the grip is not. I am interested in how different people go about analyzing photos, the reference lines, the statements and conclusions. I just find this to be an interesting topic and one which seems to have a lot of differing opinions as to what is what. Again, sorry did not mean to offend you and by no means don't stop drawing lines cause of what I have said. |
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I saw this happening when roming the range of PGA,LPGA, and Nationwide tour events.. probably the coolest..."Jimmy-Rig" was when Bobby Clampett was testing out a driver that had the bent shaft like the zebra putter...but it was in a driver...Bobby said" Can you bend it somemore to take a little more of the curve of the ball out!" Now it's more like move/change a weight here or there.... |
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I could be wrong, but I still think he is hitting down and out. |
Distance vs Accuracy
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Seems like the tours are all going the route of "long is best". And in the case of a Long Drive event: Player A: 6 drives - all 350 yards in the grid. Player B: 2 drives snap hooked left - out of the grid. 2 drives blocked right - into the parking lot. 1 cold top. 1 drive 380 in the grid. Player B wins. :) CG |
Not offended...at all.
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Why less control when 'hitting up'?
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Can you explain further why there is less control? Is it purely because there is less backspin? Or are there other factors such as loosing the down-out-and-forwards Impact, or flail going into Angular Deceleration, etc.? |
Camera
The camera angle must be exact to accurately measure this kind of thing. It should be exactly at a right angle to the player's plane line, directly across from the ball.
There was a fellow that played the Nationwide Tour, and won a tournament, that played the ball forward of the left shoulder(with a driver). His left wrist became the fulcrum... and he was very long, and usually straight. (Rob McKelvey) Also... take a look at Billy Andrade, and Todd Hamilton... not sure, but they may be in similar positions. I once saw some footage of Evan Williams(Big Cat)... he had a similar look.(Long Driver) |
G.O.L.F. -- Phil Niekro Style
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