No can of worms for me , Id say thats correct. Maybe he had high speed film however.
Homers geometry was pretty basic stuff , no equations for instance and as old as the ancient greeks. Who didnt have high speed video either but still knew how to draw beautiful curves, precisely , consistently , over and over again in 3D space and in 2D on a chalk board for instance.
Perhaps Im missing your point? Please expand. Are we still talking about planes?
Originally Posted by O.B.Left
More like this below , but the top line and the clubhead path should run smack dab through the Turned Right Shoulder at Top to more precisely comply with what Homer was talking about in the audio tapes from 1982. Disregard the narrative , just talking about the visuals on this video.
(Homer would have prescribed an intact Right Forearm Flying Wedge at address too Id imagine. With the Hands , the Right Forearm and Elbow on the same plane as the shaft . Making those two lines closer together.... But thats a different topic. Hmmm I should clarify things maybe. Anyone confused , beguiled or frustrated by Homers 1982 non shaft planar backswing audio should know that IMO Lynn teaches an on plane right forearm at address and a 10-13-A Standard Shoulder Turn with a slight plane shift up to the 10-6-B Turned Shoulder Plane . Making for two lines that are fairly close together ... minimizing plane angle shift but not negating it. So for those reading between the lines Lynn does not teach the high hands as depicted photo 10-6-B #1 that are required to plane the on plane right forearm and shaft to a Turned Shoulder Plane for a true zero shift procedure. This is what he taught me anyways. This what I see in Hogans swing too for example. But, of course and Homer would be the first to say .... you do have options.)
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The point I was trying to make is advancement. As a better player, I believe I am able to feel things in the golf swing that a lesser player would not be able to feel. Do you think that hi speed video the likes of the Swing Vision camera was available to Homer back then?
I can't see where Kelvin is bashing TGM or Homer Kelley.
My next statement is going to open a can of worms but make your own conclusions.
Homer Kelley was neither a high-level player nor did he have access to high speed video.
What is the definition of a 'planeoligist'? If we knew that we might ,at some point, be able to give this thread a purpose. Being a reasonably practical person, when I enter a room with sh!t covered walls I don't debate the intent, I move on.
1. I like Kelvin M's work because it puts a lot into the incubator. BUT this months article is more confusion an I don't Understand the points yet.
2.As KM stated "Dr. Sheldon Cooper of the Big Bang Theory" may have said but he is good only for entertainment. I am familiar with Dr. Arno Penzias, also of the Big Bang Theory but I do not think he does golf.
3. O.B.Left video of the shifting plane is very usefull. If I may add a comment- the plane is not shifted during the LOWER 180 Deg. of the clubshaft arc, ie. the plane dose not shift after the elbow plane ( or whatever U choose) is established. This is important.
4. pictures for plane analysis must be taken with care. the pix in the article are not good. If the pix is accurate and looking at the edge of a flat plane then the plane angle line will lie EXACTLY on the base line.
HB
Just a general note on # 3.
That video shows just one of a myriad of possible plane angle shifts or none at all for that matter.
If you traced the clubhead (sweetspot) with dots you'd see a 2 D flat to plane circle for the (theoretical) zero shift procedure but then as you plane shift more ...beautiful curves would appear as you approach Furykian near constant shifting . (3 dimensional clubhead orbits ). Picasso like curves in their perfection.
Who was the mid century golfer who described a plane shift in the downswing as "paint my Picasso" ? Cant remember. Henry Cotton? Elk talked about it. Thinking he was British for some reason.
My apologies if i sound like a planeologist. I prefer the term Circleist. Cant understand ovals without first understanding circles. Cant undertand the effects on the clubhead orbit of shifting until you understand zero shift.
Not saying Kelvin was wrong, I hate those "shaft lines" too. But guys , professionals who know their golf geometry should not be discredited by the mistakes, false assumptions of others . A lot of which we're created back in the early days of video analysis . It was like "hey we got this video machine now ... .what the heck are we gonna draw on the screen?" Took a while to figure it all out. A long while.
Interestingly , position golf seems to have come into vogue around the time that photographs were included in golf books. It was sorta like ... " Ok here I am at the top of my backswing , club parallel to the ground".
Are we seeing a trend here? Are there false assumptions being drawn from todays doppler radar? I dunno. Maybe by some.
Being a reasonably practical person, when I enter a room with sh!t covered walls I don't debate the intent, I move on.
Bumby
Your point is a very good one, wish Id said that. Your Freudian slip, assuming it was a slip, on the spelling of your nom de plume is priceless. Never would have thought a discussion about golf geometry would come around to a story about a guy named Bumby entering a room with sh!t covered walls! This is one of heck of a thread!
comdpa's been around for a while .... I like him, just wondering whats up? Doesnt sound like him. Maybe we been hacked ? Divide and concur? Mike O. might be behind all of this.
The point I was trying to make is advancement. As a better player, I believe I am able to feel things in the golf swing that a lesser player would not be able to feel. Do you think that hi speed video the likes of the Swing Vision camera was available to Homer back then?
Ok , NO to the high speed video thing. That didnt come along till recently. Agreed on the feel thing theoretically but he sure wrote some wonderful stuff about feel for a mid handicapper, no? I like it , obviously.
So what are you feeling and seeing on high speed then?
Your point is a very good one, wish Id said that. Your Freudian slip, assuming it was a slip, on the spelling of your nom de plume is priceless. Never would have thought a discussion about golf geometry would come around to a story about a guy named Bumby entering a room with sh!t covered walls! This is one of heck of a thread!
comdpa's been around for a while .... I like him, just wondering whats up? Doesnt sound like him. Maybe we been hacked ? Divide and concur? Mike O. might be behind all of this.
Relax homies, we are not hacked. Its just me thinking out loud. If the plane is the be all and end all of the swing, then how do we explain the difference between the following picture. Thanks for liking me...perhaps you could like me also on my Facebook page...Asian Golf Institute. And as you have correctly pointed out, I have been around awhile so the intention is not to stir shit but to discuss.
Ok , NO to the high speed video thing. That didnt come along till recently. Agreed on the feel thing theoretically but he sure wrote some wonderful stuff about feel for a mid handicapper, no? I like it , obviously.
So what are you feeling and seeing on high speed then?
Perhaps the best way to answer your question would be to reference the image posted above. Before high frames per second video became available, it was hard to pinpoint subtle moves of say the shoulders and hips in unison during the transition.
I have benefited from Mr. Kelley's magnus opus and have declared that many times on this site.
However, I believe that while Mr. Kelley has addressed the descriptive portion of the swing, he has left the explanatory portion of the swing to the Certified Instructors the likes of Lynn. Therefore, it is very unlikely that one would be able to use the yellow book effectively without a Certified Instructor as Mr. Kelley has advised against.
Perhaps the best way to answer your question would be to reference the image posted above. Before high frames per second video became available, it was hard to pinpoint subtle moves of say the shoulders and hips in unison during the transition.
I have benefited from Mr. Kelley's magnus opus and have declared that many times on this site.
However, I believe that while Mr. Kelley has addressed the descriptive portion of the swing, he has left the explanatory portion of the swing to the Certified Instructors the likes of Lynn. Therefore, it is very unlikely that one would be able to use the yellow book effectively without a Certified Instructor as Mr. Kelley has advised against.
When you say "subtle moves" are you referring to Kelvins "micro moves"? Fine by me. If so just say it. No need to worry about offending. Id venture that a lot of us here are familiar with Kelvins work. Please elaborate on what works for you and your students.
As for the last paragraph.... well thats a big topic.
Since this is Lynn Blake's forum , let me say that anyone thinking that a lesson from Lynn would be akin to time with a TGM slide rule would be horribly mistaken. He teaches Homers Alignments yes but then moves over to MOTION. Hence his interest in the teachings of 1920's instructors (pre position golf) who taught in this manner. McDonald , Wild Bill Melhourne etc. A lesson with Lynn can be more like a dance lesson, no club a lot of the time. Lynn Blake teaches what he believes works given his long love for Homer , Bertholy , McDonald , Melhourne , Jones , Hogan , Nelson , Boomer etc etc. He can talk chapter and verse from TGM true but he can do the same with others works as well. Bob McDonald being a fave. Oh and anyone taking a series of lessons will no doubt get to know Paul Runyan's short game methodology.
As an aside and since this also a TGM friendly forum , Homer touched on similar notions of motion too if you know where to look ... 6-P-0 "Let the motion make the shot". The three stages of which impact doesnt rank. 12-0's "Finally, it is strongly recommended that, with or without an Authorized Instructor, the first steps into this System be via the procedure set out in Chapter 12-5, regardless of yoru present level of play."
12-5-0 BASIC REQUIREMENTS Use a slow, smooth motion up-and-back, down-and-out and up-and-in the same distance in both directions and as continuously as possible.
Make no adjustments during the Stroke, for – or because of – Impact. NEVER EVER. That is “Hacking at the Ball” and produces only “Hackers.”
Attach the items listed in the Three Stages, in sequence, without unnecessarily interrupting the Motion. Carefully develop the Address Routine (3-F-5).
Execute the items, single or in short series, first without a Ball and then with a Ball. Comply with 3-B, 5-0 and 12-3 – including The Triad. "
Ive highlighted the parts above which remind me of motion as taught by Lynn , Wild Bill (who worked with Hogan , who displayed the essential drill on the Ed Sullivan show ), Bob MacD. and others . IMO motion when taught in this manner , can create the positions people admire in still photographs . For sure. It did for me. I had to "lose control to gain control ", (George Knudson) first of course. Easier said than done.
Comdpa, Im wondering if the above motion drills could also create the subtle moves you allude to? I dunno, perhaps......... Id like to know your thoughts on this.
How do you best incorporate these " subtle moves" into a students swing? Is video a key element? Can the student learn the moves on his own then? Im not trying to start a fight or anything these could be harmonious schools of thought in some manner. If it aint so in your opinion .....fine by me.
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